My Films Are As Much Concerned With

You Can't Really Trust Anybody Who Doesn't Talk A Lot, Because How Would You Know What They're Thinking?

Recently It's Become Much To My Surprise, Something That Does Happen. For Example, I Used To Get Almost All Of My Stories, And It's Probably Still True, From Newspapers. Primarily From The New York Times. No One Ever Really Thinks Of The New York Times As A Tabloid Newspaper And It Isn't A Tabloid Newspaper. But There Is A Tabloid Newspaper Within The New York Times Very, Very Often.

The Way I Go About Making A Movie... Even The Ones That Are Interview-driven, I Go Into Them Not Knowing What's Going To Happen, And Feeling My Way Through.

People Can Burn Archives; People Can Destroy Evidence, But To Say That History Is Perishable, That Historical Evidence Is Perishable, Is Different Than Saying That History Is Subjective.

What's Interesting Is That Citizen Kane Was Meant As An Anti-fascist/anti-capitalist Melodrama And For Donald Trump It Becomes Just Another Kind Of Misogynistic Claim That Misses The Point.