My Characters Are Galley Slaves.

Life With You Was Lovely—and When I Say Lovely, I Mean Doves And Lilies, And Velvet, And That Soft Pink ‘v’ In The Middle And The Way Your Tongue Curved Up To The Long, Lingering ‘l.’ Our Life Together Was Alliterative, And When I Think Of All The Little Things Which Will Die, Now That We Cannot Share Them, I Feel As If We Were Dead Too.

In This Crazy Mirror Of Terror And Art A Pseudo-quotation Made Up Of Obscure Shakespeareanisms (chapter Three) Somehow Produces, Despite Its Lack Of Literal Meaning, The Blurred Diminutive Image Of The Acrobatic Performance That So Gloriously Supplies The Bravura Ending For The Next Chapter.

Genius Still Means To Me, In My Russian Fastidiousness And Pride Of Phrase, A Unique Dazzling Gift. The Gift Of James Joyce, And Not The Talent Of Henry James.

There Is Nothing Dictators Hate So Much As That Unassailable, Eternally Elusive, Eternally Provoking Gleam. One Of The Main Reasons Why The Very Gallant Russian Poet Gumilev Was Put To Death By Lenin's Ruffians Thirty Odd Years Ago Was That During The Whole Ordeal, In The Prosecutor's Dim Office, In The Torture House, In The Winding Corridors That Led To The Truck, In The Truck That Took Him To The Place Of Execution, And At That Place Itself, Full Of The Shuffling Feet Of The Clumsy And Gloomy Shooting Squad, The Poet Kept Smiling.

Style And Structure Are The Essence Of A Book; Great Ideas Are Hogwash.