Music Has Always Been Transnational.

Music Has Always Been Transnational.

As A Child, You Respond Physically, Tactically. You're Delighted By Sound, You're Delighted By Recognizing Something. It's Like Hide And Seek. Is It There? Is It Not There? Is It This Note? Is It Not This Note? It's One Fantastic Game.

There Are Limits To How Much Sound A Cello Can Make. That's Part Of The Framing Of Acoustical Instruments. Finding What Those Limits Might Be, And Then Trying To Suggest Perhaps Even The Illusion Of Going Beyond Is Part Of That Kind Of Effort.

As You Begin To Realize That Every Different Type Of Music, Everybody's Individual Music, Has Its Own Rhythm, Life, Language And Heritage, You Realize How Life Changes, And You Learn How To Be More Open And Adaptive To What Is Around Us.

Sound Is Ephemeral, Fleeting, But Some Sort Of A Physical Manifestation Can Help You Hold On To It Longer In Time. I'm Sure Of This; I've Always Thought The Sound That You Make Is Just The Tip Of The Iceberg, Like The Person That You See Physically Is Just The Tip Of The Iceberg As Well.