Museums Are Tombs, And It Looks Like

A Vacant White Room With Lights Is Still A Submission To The Neutral. Works Of Art Seen In Such Spaces Seem To Be Going Through A Kind Of Esthetic Convalescence.

Questions About Form Seem As Hopelessly Inadequate As Questions About Content.

Art History Is Less Explosive Than The Rest Of History, So It Sinks Faster Into The Pulverized Regions Of Time.

There Is Something Abominable About Cameras, Because They Possess The Power To Invent Many Worlds. As An Artist Who Has Been Lost In This Wilderness Of Mechanical Reproduction For Many Years, I Do Not Know Which World To Start With. I Have Seen Fellow Artists Driven To The Point Of Frenzy By Photography.

Photographs Are The Results Of A Diminution Of Solar Energy, And The Camera Is An Entropic Machine For Recording Gradual Loss Of Light.