Most English Talk Is A Quadrille In

The Critical Sense Is So Far From Frequent That It Is Absolutely Rare, And The Possession Of The Cluster Of Qualities That Minister To It Is One Of The Highest Distinctions... In This Light One Sees The Critic As The Real Helper Of The Artist, A Torchbearing Outrider, The Interpreter, The Brother... Just In Proportion As He Is Sentient And Restless, Just In Proportion As He Reacts And Reciprocates And Penetrates, Is The Critic A Valuable Instrument.

She Feels In Italics And Thinks In Capitals.

She Had An Immense Curiosity About Life, And Was Constantly Staring And Wondering.

In The Long Run An Opinion Often Borrows Credit From The Forbearance Of Its Patrons.

I Know Of No Substitute Whatever For The Force And Beauty Of An Artistic Process.