More And More I Find I Want

W]hat Makes A Work Of Art ‘good’ For You Is Not Something That Is Already ‘inside’ It, But Something That Happens Inside You.

I Had A Lot Of Trouble With Engineers, Because Their Whole Background Is Learning From A Functional Point Of View, And Then Learning How To Perform That Function.

When I Was At Art College, The Teachers Who Helped Me Were Not The Ones I Agreed With, Or The Ones Who Encouraged Me, But The Ones Who Took Very Strong Positions. Because If Someone Does That, You Can Find Your Own Position In Relation To It: What Is It That I Don't Agree With? In The Studio I Want To Articulate A Position Clearly Enough So That Other People Can Use It - Or Chuck It Away If They Don't Want It.

If You Grow Up In A Very Strong Religion Like Catholicism You Certainly Cultivate In Yourself A Certain Taste For The Intensity Of Ideas.

For The World To Be Interesting, You Have To Be Manipulating It All The Time.