More And More I Find I Want

I'd Rather Hold One Note For An Hour And Modulate It So That It Means Something Than Play 3,000 Notes In 15 Seconds.

Emotion Creates Reality, Reality Demands Action.

I'd Love It If American Kids Were Listening To Muslim Music.

Another Way Of Working Is Setting Deliberate Constraints That Aren't Musical Ones - Like Saying, "well, This Piece Is Going To Be Three Minutes And Nineteen Seconds Long And It's Going To Have Changes Here, Here And Here, And There's Going To Be A Convolution Of Events Here, And There's Going To Be A Very Fast Rhythm Here With A Very Slow Moving Part Over The Top Of It." Those Are The Sort Of Visual Ideas That I Can Draw Out On Graph Paper. I've Done A Lot Of Film Music This Way.

It's Actually Very Easy For Democracy To Disappear.