Mike Wallace's Interviews May Make Great Television,

People Often Trust Low-res Images Because They Look More Real. But Of Course They Are Not More Real, Just Easier To Fake. [...] You Never See A 10-megapixel Photograph Of Big Foot Or The Abominable Snowman Or The Loch Ness Monster.

It Was Assumed That You Can't Touch Evangelical Christians. "oh, They're The Republican Right. Stay Away From Those People. Don't Even Try To Talk To Them." Well, What's Interesting Is That There Were Evangelical Christians Who Were Voting For Kerry. There Were Right-to-lifers Who Were Voting For Kerry. And It's Interesting To Listen To The Reasons Why. To Ignore That Segment Of The Electorate Is Moronic. Particularly If You Don't Know Who Those People Are, Or What Their Concerns Are.

My Stuff Always Starts With Interviews. I Start Interviewing People, And Then Slowly But Surely, A Movie Insinuates Itself.

I Believe We Have Two Ideas About How Movies Are Made In Our Heads. Idealizations. Platonic Ideals. One Of Them Is Of A Movie That Is Completely Uncontrolled, And Another Is A Movie That Is Completely Controlled. The Auteur Theory Vs. Cinéma Vérité.

The Very Idea Of Photography Is As Oliver Wendell Holmes Said In The 19th Century, "it's A Mirror With A Memory."