Men Like To Pleasure Us, Girl. They

As I Have Not Worried To Be Born, I Do Not Worry To Die.

Devoutly The Teachers Point Out Huge Fumigated Domes; But Beneath The Statues There's No Love, No Love Beneath The Eyes Set In Crystal. Love Is There, In Flesh Ripped By Thirst, In The Tiny Hut Struggling Against The Flood; Love Is There, In Ditches Where Snakes Of Hunger Wrestle, In The Sad Sea That Rocks Dead Gulls, And In The Darkest Stinging Kiss Under Pillows.

I'll Always Be Happy If They'd Leave Me Alone In That Delightful And Unknown Furthest Corner, Apart From Struggles, Putrefactions And Nonsense; The Ultimate Corner Of Sugar And Toast, Where The Mermaids Catch The Branches Of The Willows And The Heart Opens To A Flute's Sharpness.

A Nation That Does Not Support And Encourage Its Theater Is - If Not Dead - Dying; Just As A Theater That Does Not Capture With Laughter And Tears The Social And Historical Pulse, The Drama Of Its People, The Genuine Color Of The Spiritual And Natural Landscape, Has No Right To Call Itself Theater; But Only A Place For Amusement.

The Two Elements The Traveler First Captures In The Big City Are Extra Human Architecture And Furious Rhythm. Geometry And Anguish.