Men Had Always Been The Reciters Of

The Last Three Books Are Much More A Case Of A Moment Of History, What Happened Almost By Accident Or Coincidence, Like Being In The Same Elevator Or Lifeboat.

She Had Lived In That House Fourteen Years, And Every Year She Had Demanded Of John That She Be Given A Pet Of Some Strange Exotic Breed. Not That She Did Not Have Enough Animals. She Had Collected Several Wild And Broken Animals That, In A Way, Had Become Exotic By Their Breaking. Their Roof Would Have Collapsed From The Number Of Birds Who Might Have Lived There If The Desert Hadn't Killed Three- Quarters Of Those That Tried To Cross It. Still Every Animal That Came Within A Certain Radius Of That House Was Given A Welcome-the Tame, The Half Born, The Wild, The Wounded.

You Must Talk To Me, Caravaggio. Or Am I Just A Book? Something To Be Read, Some Creature To Be Tempted Out Of A Loch And Shot Full Of Morphine, Full Of Corridors, Lies, Loose Vegetation, Pockets Of Stones.

Read Him Slowly, Dear Girl, You Must Read Kipling Slowly. Watch Carefully Where The Commas Fall So You Can Discover The Natural Pauses. He Is A Writer Who Used Pen And Ink. He Looked Up From The Page A Lot, I Believe, Stared Through His Window And Listened To Birds, As Most Writers Who Are Alone Do. Some Do Not Know The Names Of Birds, Though He Did. Your Eye Is Too Quick And North American. Think About The Speed Of His Pen. What An Appalling, Barnacled Old First Paragraph It Is Otherwise.

When Someone Speaks He Looks At A Mouth, Not Eyes And Their Colors, Which, It Seems To Him, Will Always Alter Depending On The Light Of A Room, The Minute Of The Day. Mouths Reveal Insecurity Or Smugness Or Any Other Point On The Spectrum Of Character. For Him They Are The Most Intricate Aspect Of Faces. He's Never Sure What An Eye Reveals. But He Can Read How Mouths Darken Into Callousness, Suggest Tenderness. One Can Often Misjudge An Eye From Its Reaction To A Simple Beam Of Sunlight.