Manute Bol Is So Skinny They Save

When You Write The Script, You're Home In A Room By Yourself, And You're Writing, And There's No Connection With The Real Performing World. So You Get A Lot Of Things Wrong And Make A Lot Of Mistakes And Make A Lot Of Bad Choices.

In California, They Don't Throw Their Garbage Away - They Make It Into Tv Shows.

In Real Life I'm Not The Character I Play In My Films. I'm Reasonably Competent, I Work Very Hard, I'm Disciplined, I Lead A Very Middle Class Life. I Work In The Mornings, I Have Lunch, I Practise My Clarinet, I Go To The Movies, I Eat Out In Restaurants Or Watch Ball Games On Television Or At The Ball Games.

That’s One Of The Nice Things About Writing, Or Any Art; If The Thing’s Real, It Just Lives. All The Attendant Hoopla About It, The Success Over It Or The Critical Rejection—none Of That Really Matters. In The End, The Thing Will Survive Or Not On Its Own Merits. Not That Immortality Via Art Is Any Big Deal. Truffaut Died, And We All Felt Awful About It, And There Were The Appropriate Eulogies, And His Wonderful Films Live On. But It’s Not Much Help To Truffaut.

I Never Start Editing A Film Until It's Completely Shot; I Don't Edit Along The Way, Ever. When It's Finished I Come In Here [screening Room] And We Start With Reel One, Scene One And Start Editing Shot By Shot By Shot Until We're Finished.