Love Loves To Love Love.

Nations Have Their Ego, Just Like Individuals.

The Personality Of The Artist, At First A Cry Or A Cadence Or A Mood And Then A Fluid, And Lambent Narrative, Finally Refines Itself Out Of Existence, Impersonalises Itself, So To Speak. The Aesthetic Image In The Dramatic Form Is Life Purified In And Reprojected From The Human Imagination. The Mystery Of Aesthetic Like That Of Material Creation Is Accomplished. The Artist, Like The God Of The Creation, Remains Within Or Behind Or Beyond Or Above His Handiwork, Invisible, Refined Out Of Existence, Indifferent, Paring His Fingernails.

Interpretations Of Interpretations Interpreted.

In This Life Our Sorrows Are Either Not Very Long Or Not Very Great Because Nature Either Overcomes Them By Habits Or Puts An End To Them By Sinking Under Their Weight. But In Hell The Torments Cannot Be Overcome By Habit, For While They Are Of Terrible Intensity They Are At The Same Time Of Continual Variety, Each Pain, So To Speak, Taking Fire From Another And Re-endowing That Which Has Enkindled It With A Still Fiercer Flame.

I Was Happier Then. Or Was That I? Or Am I Now I? Can't Bring Back Time. Like Holding Water In Your Hand. Would You Go Back To Then? Just Beginning Then. Would You?