Look At Everything. Don't Close Your Eyes

To Accept Whatever Comes, Regardless Of The Consequences, Is To Be Unafraid.

Don't Try To Create And Analyze At The Same Time. They're Different Processes.

My Favourite Music Is The Music I Haven't Yet Heard. I Don't Hear The Music I Write: I Write In Order To Hear The Music I Haven't Yet Heard.

A Sound Does Not View Itself As Thought, As Ought, As Needing Another Sound For Its Elucidation, As Etc.; It Has Not Time For Any Consideration--it Is Occupied With The Performance Of Its Characteristics: Before It Has Died Away It Must Have Made Perfectly Exact Its Frequency, Its Loudness, Its Length, Its Overtone Structure, The Precise Morphology Of These And Of Itself.

I Imagine That As Contemporary Music Goes On Changing In The Way That I'm Changing It What Will Be Done Is To More And More Completely Liberate Sounds From Abstract Ideas About Them And More And More Exactly To Let Them Be Physically Uniquely Themselves. This Means For Me: Knowing More And More Not What I Think A Sound Is But What It Actually Is In All Of Its Acoustical Details And Then Letting This Sound Exist, Itself, Changing In A Changing Sonorous Environment.