London Is On The Whole The Most

People Can Be In General Pretty Well Trusted, Of Course--with The Clock Of Their Freedom Ticking As Loud As It Seems To Do Here--to Keep An Eye On The Fleeting Hour.

It Exhibits The Effort Of An Essentially Prosaic Mind To Lift Itself, By A Prolonged Muscular Strain, Into Poetry.

The Power To Guess The Unseen From The Seen, To Trace The Implication Of Things, To Judge The Whole Piece By The Pattern, The Condition Of Feeling Life, In General, So Completely That You Are Well On Your Way To Knowing Any Particular Corner Of It-this Cluster Of Gifts May Almost Be Said To Constitute Experience, And They Occur In Country And In Town, And In The Most Differing Stages Of Education.

Art Does Not Lie In Copying Nature.- Nature Furnishes The Material By Means Of Which Is To Express A Beauty Still Unexpressed In Nature.-the Artist Beholds In Nature More Than She Herself Is Conscious Of.

The Critical Sense Is So Far From Frequent That It Is Absolutely Rare, And The Possession Of The Cluster Of Qualities That Minister To It Is One Of The Highest Distinctions... In This Light One Sees The Critic As The Real Helper Of The Artist, A Torchbearing Outrider, The Interpreter, The Brother... Just In Proportion As He Is Sentient And Restless, Just In Proportion As He Reacts And Reciprocates And Penetrates, Is The Critic A Valuable Instrument.