Literature Is That Which He Can Not

A Photograph Is Always Invisible, It Is Not It That We See.

When We Define The Photograph As A Motionless Image, This Does Not Mean Only That The Figures It Represents Do Not Move; It Means That They Do Not (i)emerge(i), Do Not (i)leave(i): They Are Anesthetized And Fastened Down, Like Butterflies.

For The Photograph's Immobility Is Somehow The Result Of A Perverse Confusion Between Two Concepts: The Real And The Live: By Attesting That The Object Has Been Real, The Photograph Surreptitiously Induces Belief That It Is Alive, Because Of That Delusion Which Makes Us Attribute To Reality An Absolute Superior, Somehow Eternal Value; But By Shifting This Reality To The Past ("this-has-been"), The Photograph Suggests That It Is Already Dead.

To Dope The Racer Is As Criminal, As Sacrilegious, As Trying To Imitate God; It Is Stealing From God The Privilege Of The Spark.

The Author Enters Into His Own Death, Writing Begins.