Like The Man Said, A Little Hope

Let's Get One Thing Clear Right Now, Shall We? There Is No Idea Dump, No Story Central, No Island Of The Buried Bestsellers; Good Story Ideas Seem To Come Quite Literally From Nowhere, Sailing At You Right Out Of The Empty Sky: Two Previously Unrelated Ideas Come Together And Make Something New Under The Sun. Your Job Isn't To Find These Ideas But To Recognize Them When They Show Up.

I Don't Make Movies. I Don't Feel That I Have To Have Artistic Control. Part Of This Comes From The Fact That The Book Lives On No Matter What Hollywood Does To Your Novel In Terms Of A Film. Now, You Try To Be Careful Who You Allow To Do Your Film Because Nobody Wants Their Novel To Become A Turkey Movie. But, On The Other Hand, It Is A Crapshot Anyway, Because Even The Best People Can Make A Bad Film.

The Family Exists For Many Reasons, But Its Most Basic Function May Be To Draw Together After A Member Dies.

Everybody Wants To Psychoanalyze Horror. They Don't Want To Psychoanalyze A Book Like Gay Talese's "sex With Your Neighbor" [sic] Or Something Like That. It's Pretty Much Accepted That Americans Should Be Interested In Who They're Diddling And How They're Doing It.

Don't Wait For The Muse. As I've Said, He's A Hardheaded Guy Who's Not Susceptible To A Lot Of Creative Fluttering. This Isn't The Ouija Board Or The Spirit-world We're Talking About Here, But Just Another Job Like Laying Pipe Or Driving Long-haul Trucks. Your Job Is To Make Sure The Muse Knows Where You're Going To Be Every Day From Nine 'til Noon. Or Seven 'til Three. If He Does Know, I Assure You That Sooner Or Later He'll Start Showing Up.