Like Lost Children We Live Our Unfinished

He Will Essentially Follow The Language Of The Spectacle, For It Is The Only One He Is Familiar With.

What Is False Creates Taste, And Reinforces Itself By Knowingly Eliminating Any Possible Reference To The Authentic. And What Is Genuine Is Reconstructed As Quickly As Possible, To Resemble The False.

Plagiarism Is Necessary, Progress Implies It

The More He Identifies With The Dominant Images Of Need, The Less He Understands His Own Life And His Own Desires. The Spectacle’s Estrangement From The Acting Subject Is Expressed By The Fact That The Individual’s Gestures Are No Longer His Own; They Are The Gestures Of Someone Else Who Represents Them To Him.

The Loss Of Quality That Is So Evident At Every Level Of Spectacular Language, From The Objects It Glorifies To The Behavior It Regulates, Stems From The Basic Nature Of A Production System That Shuns Reality. The Commodity Form Reduces Everything To Quantitative Equivalence. The Quantitative Is What It Develops, And It Can Develop Only Within The Quantitative.