Life's Not Fair; Why Should I Be?

Every Ending Is Arbitrary, Because The End Is Where You Write The End. A Period, A Dot Of Punctuation, A Point Of Stasis. A Pinprick In The Paper: You Could Put Your Eye To It And See Through, To The Other Side, To The Beginning Of Something Else. Or, As Tony Says To Her Students, Time Is Not A Solid, Like Wood, But A Fluid, Like Water Or The Wind. It Doesn't Come Neatly Cut Into Even-sized Length, Into Decades And Centuries. Nevertheless, For Our Purposes We Have To Pretend It Does. The End Of Any History Is A Lie In Which We All Agree To Conspire.

A Prison Does Not Only Lock Its Inmates Inside, It Keeps All Others Out. Her Strongest Prison Is Of Her Own Construction.

A Home Filled With Nothing But Yourself. It's Heavy, That Lightness. It's Crushing, That Emptiness.

The One Good Thing To Be Said About Announcing Yourself As A Writer In The Colonial Canadian Fifties Is That Nobody Told Me I Couldn't Do It Because I Was A Girl. They Simply Found The Entire Proposition Ridiculous. Writers Were Dead And English, Or Else Extremely Elderly And American; They Were Not Sixteen Years Old And Canadian.

But Thoughtless Ingratitude Is The Armour Of The Young; Without It, How Would They Ever Get Through Life? The Old Wish The Young Well, But They Wish Them Ill Also: They Would Like To Eat Them Up, And Absorb Their Vitality, And Remain Immortal Themselves. Without The Protection Of Surliness And Levity, All Children Would Be Crushed By The Past - The Past Of Others, Loaded On Their Shoulders. Selfishness Is Their Saving Grace.