Less Disappointing Than Life, Great Works Of

When We Have Passed A Certain Age, The Soul Of The Child That We Were And The Souls Of The Dead From Whom We Sprang Come And Shower Upon Us Their Riches And Their Spells, Asking To Be Allowed To Contribute To The New Emotions Which We Feel And In Which, Erasing Their Former Image, We Recast Them In An Original Creation.

Until I Saw Chardin's Painting, I Never Realized How Much Beauty Lay Around Me In My Parents' House, In The Half-cleared Table, In The Corner Of A Tablecloth Left Awry, In The Knife Beside The Empty Oyster Shell.

True Variety Is In That Plenitude Of Real And Unexpected Elements, In The Branch Charged With Blue Flowers Thrusting Itself, Against All Expectations, From The Springtime Hedge Which Seems Already Too Full, While The Purely Formal Imitation Of Varietyis But Void And Uniformity, That Is, That Which Is Most Opposed To Variety.

...that Melancholy Which We Feel When We Cease To Obey Orders Which, From One Day To Another, Keep The Future Hidden, And Realise That We Have At Last Begun To Live In Real Earnest, As A Grown-up Person, The Life, The Only Life That Any Of Us Has At His Disposal.

The Fact Of The Matter Is That, Since We Are Determined Always To Keep Our Feelings To Ourselves, We Have Never Given Any Thought To The Manner In Which We Should Express Them. And Suddenly There Is Within Us A Strange And Obscene Animal Making Itself Heard, Whose Tones May Inspire As Much Alarm In The Person Who Receives The Involuntary, Elliptical And Almost Irresistible Communication Of One's Defect Or Vice As Would The Sudden Avowal Indirectly And Outlandishly Proffered By A Criminal Who Can No Longer Refrain From Confessing To A Murder Of Which One Had Never Imagined Him To Be Guilty.