Language Thus Becomes Monumental Because Of The

Artists Themselves Are Not Confined, But Their Output Is.

Questions About Form Seem As Hopelessly Inadequate As Questions About Content.

A Vacant White Room With Lights Is Still A Submission To The Neutral. Works Of Art Seen In Such Spaces Seem To Be Going Through A Kind Of Esthetic Convalescence.

Mistakes And Dead-ends Often Mean More To These Artists Than Any Proven Problem

When A Finished Work Of 20th Century Sculpture Is Placed In An 18th Century Garden, It Is Absorbed By The Ideal Representation Of The Past, Thus Reinforcing Political And Social Values That Are No Longer With Us