Katie Dippold, Who I Wrote The Script

What I Don't Like Is When I See Stuff That I Know Has Had A Lot Of Improv Done Or Is Playing Around Where There's No Purpose To The Scene Other Than To Just Be Funny. What You Don't Want Is Funny Scene, Funny Scene, Funny Scene, And Now Here's The Epiphany Scene And Then The Movie's Over.

Forty Is The Line Of Demarcation That Says You're An Adult Now. You're An Adult, So Don't Pretend You're A Kid Anymore.

My Style Of Comedy Is Very Real And Bittersweet, And Sort Of Always On The Verge Of Kind Of Being Tragic.

I Just Love Kate. [bieber], To Me, Is One Of The Funniest Impressions Because It's So All Encompassing. It's Like A Total Body And Soul Impression. But That's Kate. Every Character She Does Is That Way.

If You're Not Connected Emotionally To A Story, Then You're Dead. You're As A Filmmaker Really Just Opening The Door For People To Lose Interest And Their Minds To Wander, For Them To Start Picking It Apart. That's What People Will Do, People Will Naturally Tear Stuff Apart Because They're Trapped With It, They Paid Money For It. And They Came Into It Wanting To Love It. So All You Can Really Do Is Piss Off The Audience. Unless You Do Things Right.