'juno' Really Changed Things For Me And

And Over The Course Of The Last Six Years, As I've Directed More Features And Commercials, I've Become Better At Articulating Exactly How I Want The Audience To Feel.

I Have A Strange Fascination With The Midwest. I'm Waiting To Find Out That My Parents Are Actually From The Midwest. I Grew Up In Beverly Hills, Up The Street, And I Just Feel Comfortable There. I've Shot In Minneapolis, In Detroit, In St. Louis, In Omaha - They Would Say They're The Plains, Not The Midwest - And I Love It.

And The Biggest Improvement I See Between 'up In The Air' And 'juno' And 'thank You For Smoking' Is That 'up In The Air' Deals With The Complicated Human Stuff In A Way That My Other Films Have Not. It's A More Articulated Film, And Because Of That, I'm Most Proud Of It.

The First Thing I Say When People Ask What's The Difference [between Doing Tv And Film], Is That Film Has An Ending And Tv Doesn't. When I Write A Film, All I Think About Is Where The Thing Ends And How To Get The Audience There. And In Television, It Can't End. You Need The Audience To Return The Next Week. It Kind Of Shifts The Drive Of The Story. But I Find That More As A Writer Than As A Director.

When I Think Of 'nightmare On Elm Street,' There Was A Warmth To Those Teenagers That I Related To. They Were Not Aware That They Were In The Middle Of A Horror Film, And I Really Loved Those Characters And I Empathized With Them.