I've Worked On Shows Where The Lead

My Mom's A Translator, My Dad's A Woodworker; That's The World I Grew Up In, That's The World I'm Most Comfortable In. The Whole Idea Of Hollywood Or Any Of That Other Stuff That Unfortunately Goes Along With Film, That Wasn't Part Of My Upbringing, Thankfully.

All The Foundation Work You Plant In The Early Seasons Pay Off In Stronger Storylines Deep Into Our Seasons. I Think That Only Aids In Performance.

I Think There's Something Really Freeing About Improv, That It's A Collective, Creative, In-the-moment Piece. That's Really Exciting And Really Frustrating, Because It's There And Gone. There's An Amazing Interaction With The Audience That Happens Because They Are Very Much Another Scene Partner. How They Respond Determines The Kinds Of Stories We Tell.

We Do Long-form-style Improv. Our Focus Was Characters And Telling A Long Arc Story Over About An Hour And A Half. It Was Closer To A One-act Play Than One-off Sketches.

I'm Fascinated With Psychology, And With Why A Person Walks The Way They Walk Or Why They Walk Into A Room The Way They Do Or Why We Are The Way We Are, And It's Not Exclusive To The Psychology Of A Character.