I've Started Films Like Miami Vice Where

I Have A Piano In My Living Room That I Mess Around On A Little Bit And When I Asked Len If I Could Find A Piece Of Music, I Went Through A **** Load Of Classical Music To Find Something That I Felt Had A Certain Urgency To It, But Also With A Hint Of Melancholia And Maybe A Sense Of Longing. I Found That Which Is Public Domain And I Had A Piano Teacher To Go Through It With Me.

I Couldn't Care Less About Who Sees My Bits ... My Friends Asked How I Could Do Scenes Like That And Not Get Excited, But It Wasn't Like That. My Bits Looked The Size Of A Cashew Nut!

I Remember Some Of The Sets On "alexander" Were Extraordinary And It Would Just Take Your Breath Away.

The Original Was A Fun Film. [paul] Verhoeven Made A Couple Of 'robocops' That Were So Great, Too. I Think The Level Of Excitement Is Great And Arnie [schwarzenegger] Was Particularly Charismatic With That Chopped Up English, And The Size Of The Man With His Confidence And Sense Of Humor.

I'm Enjoying [my Career]. If Anything I'm Aware That The Pressure Of The First, I Suppose, Six Or Seven Years I Was In America - I Mean That Energy Of Having Such A Rapid And Ascending Celebrity - It's Not There Anymore. It's The End Of That Chapter And Now I'm Just Enjoying The Work Probably More Than I Ever Have And Yet I'm Simultaneously Less Attached To It I Think, Which Is Kind Of A Strange State Of Grace To Be In.