I've Had Quite A Lot Of Luck

We Have Two Different Ways Of Working. One Is Completely Unstructured Where Somebody Just Starts Playing And Somebody Joins In And Then The Other Person Joins In, And Something Starts To Happen. That's Occasionally What Happens. What More Often Happens Is That We Settle On Some Sort Of - A Few Sort Of Structural Ideas, Like, "okay, When I Put My Finger Up, We're All Going To Move To The Extremes Of Our Instruments. So, That Means You Can Only Play Either Very High Or Very Low Or Both. And We're Going To Stay There Until I Take My Finger Down.

I Have These Headphones, Which Pretty Much Exclude Everything Else So That You Can Really Completely Control The Sound That You're Hearing. I Don't Use Them Very Much, I Have To Say. I Very Rarely Listen On Headphones.

Emotion Creates Reality, Reality Demands Action.

I Set Up Situations That Involve Abandoning Control And Finding Out What Happens.

We Are Increasingly Likely To Find Ourselves In Places With Background Music. No Composers Have Thought To Write For These Modern Spaces, Which Represent 30% Of Our Musical Experience.