I've Explored A Variety Of Directions And

A Really Good Picture Looks As If It's Happened At Once. It's An Immediate Image. For My Own Work, When A Picture Looks Labored And Overworked, And You Can Read In It As Well - She Did This And Then She Did That; There Is Something In It That Has Not Got To Do With Beautiful Art To Me. And I Usually Throw These Out, Though I Think Very Often It Takes Ten Of Those Over-labored Efforts To Produce One Really Beautiful Wrist Motion That Is Synchronized With Your Head And Heart, And You Have It, And Therefore It Looks As If It Were Born In A Minute.

You Have To Know How To Use The Accident, How To Recognise It, How To Control It, And Ways To Eliminate It So That The Whole Surface Looks Felt And Born All At Once.

I've Explored A Variety Of Directions And Themes Over The Years. But I Think In My Painting You Can See The Signature Of One Artist, The Work Of One Wrist.

I Follow The Rules Until I Go Against Them All.

Whatever The Medium, There Is The Difficulty, Challenge, Fascination And Often Productive Clumsiness Of Learning A New Method: The Wonderful Puzzles And Problems Of Translating With New Materials.