I've Always Been Very Tied To Language.

Do You Know Why Language Manifests Itself The Way It Does In My Work? It's Because I Understand Short Attention Spans.

I Want People To Be Drawn Into The Space Of The Work. And A Lot Of People Are Like Me In That They Have Relatively Short Attention Spans. So I Shoot For The Window Of Opportunity.

Prominence Is Cool, But When The Delusion Kicks In It Can Be A Drag. Especially If You Choose To Surround Yourself With Friends And Not Acolytes.

I Have Frequently Said, And I Will Repeat Again, In The Manner Of Any Well-meaning Seriality, That I'm Interested In Mixing The Ingratiation Of Wishful Thinking With The Criticality Of Knowing Better.

I Think That The Exactitude Of The Photograph Has A Sort Of Compelling Nature Based In Its Power To Duplicate Life. But To Me The Real Power Of Photography Is Based In Death: The Fact That Somehow It Can Enliven That Which Is Not There In A Kind Of Stultifying Frightened Way, Because It Seems To Me That Part Of One's Life Is Made Up Of A Constant Confrontation With One's Own Death.