It's Really Hard To Be On Stage

One Thing With Montreal Is It's So Cold And Everyone's So Poor And Beer's So Cheap: If You Go To A Show You Have To Brave The Weather To Get There. So You Show Up And Everyone's Soaking Wet - There's A Sense Of 'i Trekked Through Three Feet Of Snow To Get Here!' I Think There's A Kind Of Camaraderie That Arises Out Of That, That's Important To Me As Well.

The Groove Can Go For Like Three Days - Once I'm In It It Will Just Keep Going Until I'm Totally Exhausted. But That's How I Like To Work, I Like To Be Away From Everyone And Just Get In The Zone, And Stay There For As Long As I Can Keep It There.

I Always Wanted To Be Really Experimental.

I Have An Intense Desire To Constantly Make Music, And I Don't Feel That Way About Anything Else.

Lately I've Been Really Into Screaming A Lot Through Delay [effects], Having Seven People On Stage Topless Going Crazy, Stuff Like That. Really In Your Face, But Maybe More Organic Than Choreographed Dance Moves.