It's O.k. To Accept Good Fortune.

If We Were Making A Record In Kentucky, There Might Be Some More Elements That Recall A Time, A Place, Or A Relationship. Recording For The Bbc You Enter Into This Strange And Wonderful, But Kind Of Sterile, Place With Which You Have No Personal History, And That's The Maida Vale Studios At Bbc In London.

When You're Listening To A Recording, You're Supposedly Listening To Some Aspect Of The Past In The Present As You Travel Slowly Into The Future, But You Also Know There's A Very Strong Likelihood That The Future Of That Recording, Whether You Made It Or Whether You're Listening To A Led Zeppelin Record, Is Going To Continue Probably Far Beyond Where You Are.

At The Same Time, You Don't Want To Be Blindsided At Some Point Because You've Taken Too Much Comfort From Knowing Nothing. So You Try To Keep A Little Store Of Practical Knowledge. At A Certain Point You Have To Pretend That Something Is True In Order To Have A Relationship With The World.

I Felt So Liberated When I First Saw Charles Mee’s 'the Glory Of The World' At Bam Play, Because For Me This Is The Gateway To Contemplation, Or This Is The Gateway To Love, Or This Is The Gateway To Faith, Not Sitting And Reading A Book By An Isolated Monk, God Bless Him. This Is.

Venues Are All The Same, All Feel The Same, These Generic Blank Spaces. I Like Artists Like Lightning Bolt-bands That Go In And Kind Of Change Things Every Time, Play On The Floor, Set Up In The Middle Of The Room. They Go In And They Reinvent The Space Every Time, Which I Feel Is Like The Kind Of Thing That Should Just Be Happening.