It's Not A Question Of Getting The

We All Start In This Medium Because Of The Magic And The Challenge Is To Keep It Going.

To Convey In The Print The Feeling You Experienced When You Exposed Your Film – To Walk Out Of The Darkroom And Say: ‘this Is It, The Equivalent Of What I Saw And Felt!’. That’s What It’s All About.

I've Found Even After Nearly 30 Years Of Doing This, There Are All Kinds Of New Surprises That Rear Their Heads At Various Times And I Truly Believe That 51% Of The Images, Success Takes Place In The Darkroom.

There Is A Considerable Amount Of Manipulation In The Printmaking From The Straight Photograph To The Finished Print. If I Do My Job Correctly That Shouldn't Be Visible At All, It Should Be Transparent.

The First Day At The Power Plant I Found Myself Photographing Some Steam Vents On The Roof Of The Structure. And I Remember Consciously Thinking That They Were Just Like Trees But They Were Metal.