It's Just That When I Work On

I Have Six Acres In Front Of My Own House, Which I Very Rarely Work On. Most Of The Work Occurs On Farmers' Fields Around Me. And I Like The Discipline Of Working On Other People's Land.

My Approach To Photograph Is Kept Simple, Almost Routine. All Work, Good And Bad, Is Documented. I Use Standard Film, A Standard Lens And No Filters. Each Work Grows, Strays, Decays-integral Parts Of A Cycle Which The Photograph Shows At Its Height, Marking The Moment When The Work Is Most Alive. There Is An Intensity About A Work At Its Peak That I Hope Is Expresses In The Image. Process And Decay Are Implicit.

I'm Very Fortunate To Be Able To Do What I Do And Live The Way I Do.

The Main Reason I Went To Digital Was Because I Got Time-lapse, Video, And Still Images All In One Camera. Having A Minimal Amount Of Gear Is Really Important For Someone Who Wants To Walk Around. That Allowed Me To Have This Flexibility To Document Things In Different Ways.

People Are The Nature Of The City, And You Can Feel It In The Pavement.