It's Hard To Make Progress With Grief.

Language Leads A Double Life - And So Does The Novelist. You Chat With Family And Friends, You Attend To Your Correspondence, You Consult Menus And Shopping Lists, You Observe Road Signs, And So On. Then You Enter Your Study, Where Language Exists In Quite Another Form - As The Stuff Of Patterned Artifice.

You See Tragedy Requires Persons Of Heroic Stature. It Works On The Principle Of People Being More Than Humansuper-humanand Also Being Only Too Human. But There Just Aren't Many Great Figures Around Now, So The Tragic Mechanisms Can't Work.

When It Comes To Flying, I Am A Nervous Passenger But A Confident Drinker And Valium-swallower.

It Sounds Schmaltzy To Say, But Fiction Is Much More To Do With Love Than People Admit Or Acknowledge. The Novelist Has To Not Only Love His Characters - Which You Do, Without Even Thinking About It, Just As You Love Your Children. But Also To Love The Reader, And That's What I Mean By The Pleasure Principle.

It's Tremendously Important How You Get On With The Other Sex. Your Life Record On That Is Incredibly Important. You Never Really Think About Any Of Your Other Achievements.