It's A Nice Way To Put The

Most Films That I Do, Whether Successful Or Not, Just Fade Away. They Have Their Moment In The Sun, Then They Are Gone. 'trainspotting' Did Not, And Especially With Journalists. So Whenever I Launched A New Film, I'd End Up Talking About 'trainspotting.'

There's Lots Of Things That Can Be Solved With Cash. And There's Occasional Things That Can't Be Solved With Cash, Which Become A Bureaucratic Nightmare For Some Reason, And There's No Distinction Between The Two. There's No Way Of Reading A Situation And Saying, "yes, That'll Be A Bureaucratic Nightmare, But That One We'll Be Able To Buy Off." It Just Depends On The Day, Apparently.

Actors Want To Impress At The Beginning, So You Take Advantage Of That By Suddenly Saying, 'right, You're Here For Two Weeks.' What You're Doing Is Creating A Siege Mentality.

That Survival Instinct, That Will To Live, That Need To Get Back To Life Again, Is More Powerful Than Any Consideration Of Taste, Decency, Politeness, Manners, Civility. Anything. It's Such A Powerful Force.

Theres A Certain Truth That You Do End Up Making The Same Film Again And Again So If You Vary The Genre You Have A Chance Of Breaking That Cycle.