It's A Disease Of Critics That Once

I Love Actors, Both My Parents Were Actors, And The Work With Actors Is The Most Enjoyable Part Of Making A Film. It's Important That They Feel Protected And Are Confident They Won't Be Betrayed. When You Create That Atmosphere Of Trust, It's In The Bag - The Actors Will Do Everything To Satisfy You.

It Is Boring To Have All The Answers. Only Political People Have Answers.

If Someone's Lying To Us, Then It's Rare That We Know That They're Lying To Us. It's Only In Bad Films That You Recognize Immediately That An Actor's Playing In Such A Way That You Can See That He's Lying, And That's Simply Dumb. But To Reach That, It Requires That You Make A Film In Such A Way That A Spectator Feels Compelled To Find His Own Explanation. You Want To Lead The Spectator To Find His Own Interpretation. To Ask Questions Rather Than Provide All Of The Answers. Doing That Leads To Open Endings And Open Dramaturgy.

And If There Was One Title That Could Be Applied To All My Films, It Would Be 'civil War' - Not Civil War In The Way We Know It, But The Daily War That Goes On Between Us All.

I've Never Let Producers Tell Me What To Do. Even When I Was Making Television, I Always Did What I Wanted To Do, And If I Couldn't, I Didn't Do It. It Was A Freedom That, These Days, Young Directors Starting Out Don't Have.