Is Not Parody The Eternal Lot Of

Tomas Did Not Realize At The Time That Metaphors Are Dangerous. Metaphors Are Not To Be Trifled With. A Single Metaphor Can Give Birth To Love.

Youth Is Terrible: It Is A Stage Trod By Children In Buskins And A Variety Of Costumes Mouthing Speeches They've Memorized And Fanatically Believe But Only Half Understand. And History Is Terrible Because It So Often Ends Up A Playground For The Immature; A Playground For The Young Nero, A Playground For The Young Bonaparte, A Playground For The Easily Roused Mobs Of Children Whose Simulated Passions And Simplistic Poses Suddenly Metamorphose Into A Catastrophically Real Reality.

When We Ignore The Body, We Are More Easily Victimized By It.

High Culture Is Nothing But A Child Of That European Perversion Called History, The Obsession We Have With Going Forward, With Considering The Sequence Of Generations A Relay Race In Which Everyone Surpasses His Predecessor, Only To Be Surpassed By His Successor. Without This Relay Race Called History There Would Be No European Art And What Characterizes It: A Longing For Originality, A Longing For Change. Robespierre, Napoleon, Beethoven, Stalin, Picasso, They're All Runners In The Relay Race, They All Belong To The Same Stadium.

Even At The Age Of Eight She Would Fall Asleep By Pressing One Hand Into The Other And Making Believe She Was Holding The Hand Of The Man Whom She Loved, The Man Of Her Life. So If In Her Sleep She Pressed Tomas Hand With Such Tenacity, We Can Understand Why: She Had Been Training Since Childhood.