Insomniacs Know Better Than Anyone How It

I Seem To Produce A Novel Approximately Once Every Three Years.

You Have Started The Book With This Bubble Over Your Head That Contains A Cathedral Full Of Fire - That Contains A Novel So Vast And Great And Penetrating And Bright And Dark That It Will Put All Other Novels Ever Written To Shame. And Then, As You Get Towards The End, You Begin To Realise, No, It's Just This Book.

Jenny Offill's Dept. Of Speculation Resembles No Book I've Read Before. If I Tell You That It's Funny, And Moving, And True; That It's As Compact And Mysterious As A Neutron; That It Tells A Profound Story Of Love And Parenthood While Invoking (among Others) Keats, Kafka, Einstein, Russian Cosmonauts, And Advice For The Housewife Of 1896, Will You Please Simply Believe Me, And Read It?

I Revise Constantly, As I Go Along And Then Again After I've Finished A First Draft. Few Of My Novels Contain A Single Sentence That Closely Resembles The Sentence I First Set Down. I Just Find That I Have To Keep Zapping And Zapping The English Language Until It Starts To Behave In Some Way That Vaguely Matches My Intentions.

What Does It Mean To Regret When You Have No Choice? It's What You Can Bear. And There It Is... It Was Death. I Chose Life.