Insofar As He'd Formed Any Opinion Of

People Were People, Even If They Had Four Legs And Had Called Themselves Names Like Dangerous Beans, Which Is The Kind Of Name You Gave Yourself If You Learned To Read Before You Understood What All The Words Actually Meant.

In My Early Teens, I Read Every Bound Volume Of The Magazine Punch. Every Writer Of Any Distinction In The English Language, And I Mean Including America And England, At Some Time Wrote For Punch. Jerome K. Jerome, Who Wrote Three Men In A Boat, I Loved. I Was Very Impressed When I Read A Piece By Mark Twain In Punch, And Realized That Despite The Fact That They Were On Different Continents, Jerome K. Jerome And Mark Twain Had The Same Kind Of Laconic, Laid-back, "the Human Race Is Damn Stupid, But Quite Interesting" Attitude. They Were Almost Talking With The Same Voice.

Ordinary Fortune-tellers Tell You What You Want To Happen; Witches Tell You What’s Going To Happen Whether You Want It To Or Not. Strangely Enough, Witches Tend To Be More Accurate But Less Popular.

It's Always Surprising To Be Reminded That While You're Watching And Thinking About People, All Knowing And Superior, They're Watching And Thinking About You, Right Back At You.

Writing, For Me, Is A Little Like Wood Carving. You Find The Lump Of Tree (the Big Central Theme That Gets You Started), And You Start Cutting The Shape That You Think You Want It To Be. But You Find, If You Do It Right, That The Wood Has A Grain Of Its Own (characters Develop And Present New Insights, Concentrated Thinking About The Story Opens New Avenues). If You're Sensible, You Work With The Grain And, If You Come Across A Knot Hole, You Incorporate That Into The Design. This Is Not The Same As 'making It Up As You Go Along'; It's A Very Careful Process Of Control.