In The Moment Of Making Films, I

I Like Voice-over In Films, And Most Of My Films Have Been Voice-over Films.

I Definitely In Filmmaking More And More Find Writing And Directing A Means To Harvest Material For Editing. It's All About Editing.

The Thing Is, Right Now The Films Don't Need To Be Overtly Political To Be About Our Times. We Also Need Films That Are Just Human, That Are About People. People Need That, Too. It's Like We Need To Reconnect To What It Is To Be Human. Not Just What Our Political Situation Is. That's Not What I'm Thinking About Exclusively. Human Content Is Needed Again, As It Was In The '70s. I Think Films Were More Human Than They've Been Since Then.

The Better A Novel Is, In Literary Terms, The More You Can't Be Faithful. The Novel Succeeds On Terms Exclusive To Literature. A Good Film Succeeds On Terms Exclusive To The Cinema. That's Why So Many Bad Novels Can Become Good Movies.

I Always Think About Visual Comedy. I Was Raised Watching Silents, And I'm Always Thinking About How To Make Cinema, Not Good Talking - Although I Want Good Talking. I'm Much More Interested In Framing, Composition, And Orchestration Of Bodies In Space, And So Forth. My Goal Is Always What Chuck Jones Wanted His Warner Brothers Cartoons To Be, Which Was If You Turn Down The Sound, You Could Still Tell What's Going On.