In The Course Of A Life Devoted

I Came To The Idea Of How Fine It Would Be To Think Of An Encyclopedia Of An Actual World, And Then Of An Encyclopedia, A Very Rigorous One Of Course, Of An Imaginary World, Where Everything Should Be Linked.

I Can’t Talk About My Books. I Have Written Them And Tried To Forget Them. I Have Written Once, And Readers Have Read Me Many Times, No? I Try To Think Of What I Wrote, It’s Very Unhealthy To Think About The Past, The Case Of Elegies Is Very Sad, As Much As The Case Of Complaints.

The Gods Weave Misfortunes For Men, So That The Generations To Come Will Have Something To Sing About.” Mallarmé Repeats, Less Beautifully, What Homer Said; “tout Aboutit En Un Livre,” Everything Ends Up In A Book. The Greeks Speak Of Generations That Will Sing; Mallarmé Speaks Of An Object, Of A Thing Among Things, A Book. But The Idea Is The Same; The Idea That We Are Made For Art, We Are Made For Memory, We Are Made For Poetry, Or Perhaps We Are Made For Oblivion. But Something Remains, And That Something Is History Or Poetry, Which Are Not Essentially Different.

Lully's Machine, Mill's Fear And Lasswitz's Chaotic Library Can Be The Subject Of Jokes, But They Exaggerate A Propensity Which Is Common: Making Metaphysics And The Arts Into A Kind Of Play With Combinations.

On Those Remote Pages [of 'a Certain Chinese Encyclopedia'] It Is Written That Animals Are Divided Into (a) Those That Belong To The Emperor, (b) Embalmed Ones, (c) Those That Are Trained, (d) Suckling Pigs, (e) Mermaids, (f ) Fabulous Ones, (g) Stray Dogs, (h) Those That Are Included In This Classification, (i) Those That Tremble As If They Were Mad, (j) Innumerable Ones, (k) Those Drawn With A Very Fine Camel's Hair Brush, (l) Others, (m) Those That Have Just Broken A Flower Vase, (n) Those That Resemble Flies From A Distance.