In Spanish It Is Very Difficult To

The Gods Weave Misfortunes For Men, So That The Generations To Come Will Have Something To Sing About.” Mallarmé Repeats, Less Beautifully, What Homer Said; “tout Aboutit En Un Livre,” Everything Ends Up In A Book. The Greeks Speak Of Generations That Will Sing; Mallarmé Speaks Of An Object, Of A Thing Among Things, A Book. But The Idea Is The Same; The Idea That We Are Made For Art, We Are Made For Memory, We Are Made For Poetry, Or Perhaps We Are Made For Oblivion. But Something Remains, And That Something Is History Or Poetry, Which Are Not Essentially Different.

Leaving Behind The Babble Of The Plaza, I Enter The Library. I Feel, Almost Physically, The Gravitation Of The Books, The Enveloping Serenity Of Order, Time Magically Dessicated And Preserved.

In Adultery, There Is Usually Tenderness And Self-sacrifice; In Murder, Courage; In Profanation And Blasphemy, A Certain Satanic Splendour. Judas Elected Those Offences Unvisited By Any Virtues: Abuse Of Confidence And Informing.

As A Boy, I Used To Marvel That The Letters In A Closed Book Did Not Get Scrambled And Lost Overnight.

The Aesthetic Event Is Something As Evident, As Immediate, As Indefinable As Love, The Taste Of Fruit, Of Water. We Feel Poetry As We Feel The Closeness Of A Woman, Or As We Feel A Mountain Or A Bay. If We Feel It Immediately, Why Dilute It With Other Words, Which No Doubt Will Be Weaker Than Our Feelings?