In Blow-up I Used My Head Instinctively!

I've Always Played Down The Drama In My Films. In My Main Scenes, There's Never An Opportunity For An Actor To Let Go Of Everything He's Got Inside. I Always Try To Tone Down The Acting, Because My Stories Demand It, To The Point Where I Might Change A Script So That An Actor Has No Opportunity To Come Out Well.

Often To Understand, We Have To Look Into Emptiness.

I've Always Dreamed Of Getting To Know The Women Of Other Countries Better. When I Was A Boy, I Remember, I Used To Get Angry At The Thought That I Did Not Know German Or American Or Swedish Women.

A Scene Has To Have A Rhythm Of Its Own, A Structure Of Its Own.

I Want An Actor To Try To Give Me What I Ask In The Best And Most Exact Way Possible. He Mustn't Try To Find Out More, Because Then There's The Danger That He'll Become His Own Director.