In Any Case, The Fewer Boundaries That

I Don't Like Listening To My Music, Not Even New Pieces. Generally, They Sound Pretty Much Like I Expected Them To Sound, So It's What I Wanted, And That's It.

It Is Still True That It Is Easier To Compose A Poem In The Form Of A Manual For Adjusting A Vcr Than It Is To Write A Piece Using Just Tuning As A Symphony.

If The Work Of Art Is To Continue Pursuing The Vision Of Both Being In And Of The World But Nevertheless In Some Fashion Being More Than Just One More Object To The Mounting Clutter, This Is The Specific Point, I Think, Where This Must Be Assured.

I Frequently Compose Out The Entire Metric Structure Of A Piece In Modified Cyclic Form, Where Each Cyclic Revolution Undergoes Some Form Of 'variation' Much As If Measure Lengths Were Concrete Musical 'material.'

There Would Seem To Be A Limit, Even For An Art Preoccupied With Boundaries And Transgressions, Beyond Which A Work Reaches Its Breaking Point And Becomes An Actual Failure, A Mere Experimentation.