I'm Very Involved In Photographing America Now,

I Wanted Life To Be Episodic. I Wanted To Be A Magazine Photographer And I Was Willing To Do What It Took To Become That.

My First Priority When Taking Pictures Is To Achieve Clarity. A Good Documentary Photograph Transmits The Information Of The Situation With The Utmost Fidelity; Achieving It Means Understanding The Nuances Of Lighting And Composition, And Also Remembering To Keep The Lenses Clean And The Cameras Steady.

I Did A Story For The Geographic On Meriwether Lewis And William Clark, And Stephen Ambrose Was The Writer. He Said, "i've Got The Easiest Job In The World. I Just Have To Re-tell The Story Of The Greatest Fishing, Camping, Hunting, Canoeing Trip Of All Time. You, Sam, Have The Hardest Job, Which Is, Pretend Like Nothing Has Happened In The Last 200 Years.

Exotic Novelty. My Statement To [people] Is Always, Well, Set This Picture In Your Home Town, Is It Still An Interesting Picture? Or Is It Just Exotic? Would I Care About This Same Picture Minus Its Exoticism?

The Neatest Part Of This Book I'm Working On - To Me - Are The Pictures That Show The Process... Because Photographers... Think Things Through And... It Isn't Luck, And It Isn't Random And It Isn't Accidental. It Isn't.