I'm Totally Anti-commercialism.

I Have Great Appreciation For People Who Do Anything Well. I Think That It's Very Difficult To Do What You Do Well.

People Will Say, 'there Are A Million Ways To Shoot A Scene,' But I Don't Think So. I Think There Are Two, Maybe. And The Other One Is Wrong.

Our Pavlovian Response To Movies Has Gotten To Its Lowest Point Ever. You Look At A Lot Of Movies That Are Successful And A Lot Of Movies That Studios Hold Up As Examples And You Go, 'my God, That Isn't Even A Story. It Isn't Even Two Acts. It's Eight Set Pieces Drawn Out With Slow Motion.' The Difficulty For Me Was That You Had To Hope That People Were Interested In This Kind Of A Story.

You Can’t Take Everything On. That’s Why When People Ask How Does This Film Fit Into My Oeuvre. I Say 'i Don’t Know. I Don’t Think In Those Terms’. If I Did, I Might Become Incapacitated By Fear . . . How Do You Eat A Whale? One Bite At A Time. How Do You Shoot A 150-day Movie? You Shoot It One Day At A Time.

I Learned Just To Be A Belligerent Asshole, Which Was Really: "you Have To Get What You Need To Get Out Of It." You Have To Fight For Things You Believe In, And You Have To Be Smart About How You Position It So That You Don't Just Become White Noise.