I'm Sure The Music Is Going To

There's A Perception That If An Artist Produces Another Artist, They're Going To Imprint On Them. But I'm The Opposite. I Want To Hear That Artist; I Don't Want To Hear Me - That's The Last Thing I Want To Hear. There Are A Lot Of Technical Studio Things I've Learned Or Figured Out, And I Feel Like I Could Use Those Things To Help Other People With What They're Doing.

For The Records I've Work On Over The Last 10 Years, I Get Sent The Really Compressed Version And The Non-compressed Version, And Oftentimes You End Up Going With The More Compressed One Because It's What People's Ears Are Attuned To. I Think The Bigger Problem Is Saturation And People Being Desensitized.

[early On,] The Attitude Was That What I Was Doing Wasn't Music.

I'm More Critical Of My Songwriting Than Anybody, But I've Worked Really Hard In The Last Five To 10 Years To Improve.

I Grew Up I Guess You'd Say In The Cassette Era.