I'm Not Being Analytical. I Just Create

The Artist Himself Is Actually The Subject In Everything After, Say, 1900. Eventually, Art Becomes So Removed From The Community That You Have To Know About The Artist Before You Can Even Look At The Painting, Because There Is A Conceptual Idea Going On.

I'm Usually Trying To React To What The Actors Are Coming Up With. And Then The Environment, And Then The Story.

You Never Look At The Backside Of A Mirror Because When You Do, It'll Affect Your Future Because You're Looking At Yourself Backwards. No, You're Looking At Your Inner Self And You Don't Recognize It Because You've Never Seen It Before.

A Lot Of Times, I Relied On Connections Through My Agency, Just For Financing And Things Like That. Even When I'm Looking For A Million And A Half Dollars To Do A Small Film, There Can Always Be Hold-ups, Because It's A Large Amount Of Money For Some People, And It's A Small Amount Of Money For Other People. In Any Case, It's Significant Enough To Where You Have To Jump Through A Lot Of Hoops To Get It To Happen. Sometimes, The People Who Are Helping You Can Drop The Ball. And, Of Course, The Reason Agents Want You To Do Bigger Projects Is That They Make A Bigger Cut.

I Mean, I Think I'm Pretty Sentimental.