I'm Kind Of Old-school And Love Nothing

The Editing Of A Song Is Largely What Makes The Song For Me And I Think That Actually If I Had Started Going Like 'i Want You To Burn' It Would Have Pinned That Song Down To A Particular Thing And Made That Song A Smaller Idea Than What It Is. By Leaving That Off It's Much More Open, Broader.

In The Hysterical Technocracy Of Modern Music, Sorrow Is Sent To The Back Of The Class Where It Sits, Pissing Its Pants In Mortal Terror.

This Is How It Essentially Is For Bunny Junior. He Loves His Dad. He Thinks There Is No Dad Better, Cleverer, Or More Capable, And He Stands There Beside Him With A Sense Of Pride - He's My Dad - And He Also, Of Course, Stands Beside Him Because He Has Nowhere Else To Go.

The Problem With Books, Now That I've Written One, Is That The Idea Of Adaptation Is So Much Easier Than Sitting Down To Write Something New.

It's Very Intuitive, The Way That I Approach My Work. I Only Buy Something That Has A Pulse. I May Not Know How I'm Going To Use It, But I Know It Has A Pulse And It Has Multiple Readings - If I Shift It One Way Or Another, It Can Be Read This Way Or It Can Be Read That Way, But Both Readings Are Critical And Very Much Ground The Work.