I'm Just A True Irish Boy At

If You Need To Get In Physical Shape For A Film And You Have To Maintain That For Six Months, At The Start Of The Film, I Was Never Able To Do It.

On "[total] Recall" Also [sets Were Extraordinary], But This Was Next-level. They Built Two Or Three Blocks Of Midtown Manhattan In 1926 And It Was Inhabited With 400 Extras And 24 Model Ts And A Train System And All That Kind Of Nonsense. It Was Madness. You Would Walk Into Shops And They Would Have The Goods From That Period, It Was Just Huge.

As Much As "the Lobster" Feels Like A World We Recognize But Not The World We Live In, It's All Drawn In An Allegorical Way From All The Systems That Exist.

I've Started Films Like Miami Vice Where I'm In Really Good Shape And I Look Back On That Film And See The Moustache Is Bigger As I've Got A Larger Face.

Most Of Actor's Work Is Done At Home, In Your Hotel Room, In The Wee Hours Of The Morning Thinking And Reading And Feeling, Walking Around And Listening To Music. It Really Just Because An Internal Exercise, Whatever Skills. It's Great If You Have To Learn Something New For A Gig And Designing A Character Physically Is Always Fun But It Does Become An Internal Exercise In Separating The Wheat From The Chaff.