I'm As Serious As A Heart Attack.

I'm Actually Very Ordinary, Except People Get To Pay Their Money To Come Watch Me Work. The Same Way That We Go To Mcdonald's.. We Don't Care About The Guy Behind The Counter, But If He Was Doing Something Special, We'd Pay Our Money To Go Watch Him Cook That Hamburger.

I Was Desperate On Coming To America Set - Not To Buy Drugs Or Anything, But I Had A Person At Home, A Girlfriend Who's Telling You, "you're Out The Bills And Food. You Need This, You Need That. And You Either Get It, Or Don't Come Back." That Was Me.

It's Always Interesting To Play Characters Who Are Vulnerable And How You Display That Vulnerability And What It's Going To Mean To People Who Watch It.

I Get Paid All Day, Every Day, Which Is Almost Too Much For A Sensitive Artist.

Die Hard With A Vengeance Shooting Was A Great Time, Because We Had An Interesting Script. The First Script Was Called Simon Says, And Something Was Going On, Because Some Days We'd Get To Work, But We Wouldn't Actually Have Dialogue. We Would Go To Bruce's Willis Trailer, And They'd Say, "okay, You Have To Go From 168th Street To 97th Street Today. We're Going To Do It In The Cab, And Sam, You Say This. Bruce, What Do You Want To Say?" And That's How Bruce's "hey, Zeus!" Thing Came Up.