I'm Always Excited To Work With Actors.

My Grandfather Lived Across The Garden From Us, And In His Attic He Had A Lot Of Radios, Appliances And Inventions That He Had Made Over 50 Years, Such As A Keyboard Called A Clavioline, Which Can Be Heard On Some Beatles Songs - It Was Popular In The 60s. So We Had All That At Home.

I Think Some People Feel That If You Are Going To Have 3d, Then You Have To Shoot In 3d, But They Shoot 3d, So Of Course They're Going To Say 'my Way Of Doing A Film Is Better.' I'm Not Telling Anyone How They Should Do Their Film, So Why Should Anyone Tell Me How I Should Do Mine?

Perhaps My Favourite Story Is 'le Passe-muraille' By Marcel Ayme. It's About A Guy Who Wakes Up With A Weird Faculty That Means He Can Walk Through Walls. He's A Very Shy Clerk, And He Uses It To Get Revenge, Or Vent His Frustration.

I Want To See Abstract Art Move. Especially In The '30s, You Had Animators Doing Innovative Work, And I Was Entranced By That. It's Basically What You See When You Close Your Eyes, When You Fall Asleep.

You Cannot Do Everything You Want With The 3d Camera, It's Too Big, And The Digital Quality Of Those Cameras Is A Little Bit Limiting. With Film, You Have A Lot More Subtly, Like With Highlights And Color. In Terms Of Sharpness They (both Formats) Are Very Close; But In Terms Of Nuance, Of Color And Contrast, Film Is Far Superior.