Illusions Are Art, For The Feeling Person,

Every Short Story Is An Experiment - What One Must Ask Is Not Only, Did It Come Off, But Was It, As An Experiment, Worth Making?

Solitary And Farouche People Don't Have Relationships; They Are Quite Unrelatable. If You And I Were Capable Of Being Altogether House-trained And Made Jolly, We Should Be Nicer People, But Not Writers.

Good General-purpose Manners Nowadays May Be Said To Consist In Knowing How Much You Can Get Away With.

The Writer, Unlike His Non-writing Adult Friend, Has No Predisposed Outlook; He Seldom Observes Deliberately. He Sees What He Didnot Intend To See; He Remembers What Does Not Seem Wholly Possible. Inattentive Learner In The Schoolroom Of Life, He Keeps Some Faculty Free To Veer And Wander. His Is The Roving Eye.

Each Piece Of Dialogue Must Be "something Happening". . .the "amusing" For Its Own Sake Should Above All Be Censored. . .the Functional Use Of Dialogue For The Plot Must Be The First Thing In The Writer's Mind. Where Functional Usefulness Cannot Be Established, Dialogue Must Be Left Out.